Abstract
If one were to single out the most characteristic feature of the Russian theatre in exile, it would be the severe scarcity of everything: theater troupes were small, productions were executed on a very meager budget, etc. Dmitri Nikolayev’s article discusses the way that Mark Aldanov adapted his style to meet this challenge, which resulted in the creation of “Liniia Brungil’dy” (1937), a play in the genre of vaudeville.

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