Летние морозы, зимние купанья: Аспекты никольского дискурса в поэтике М. А. Булгакова [Summer Frosts, Winter Bathings: Aspects of St. Nicholas’ Discourse in Mikhail Bulgakov’s Poetics]
cover_image
PDF

Keywords

20th-Century Russian Literature
Mikhail Bulgakov (1991—1940)
St. Nicholas of Mira (270—343)
Mythopoetics
History of Literature

How to Cite

Летние морозы, зимние купанья: Аспекты никольского дискурса в поэтике М. А. Булгакова [Summer Frosts, Winter Bathings: Aspects of St. Nicholas’ Discourse in Mikhail Bulgakov’s Poetics]. (2022). Slavica Revalensia, 9, 153-173. https://doi.org/10.22601/SR.2022.09.07

Abstract

The article analyzes one of the aspects of the mythological layer of Bulgakov’s works — the system of motifs related to the image of St. Nicholas — Russia’s most venerated saint. Out of two incarnations of Nikolai Ugodnik, Bulgakov is primarily interested in Nikola Zimnii: there are virtually no allusions to Nikola Veshnii (Summer) in his prose (this is also true for the writings taking place in summer: “The Fatal Eggs,” FlightThe White Guard, etc.). References to St. Nicholas intertwine with allusions to two Russian Emperors, Nicholas I and Nicholas II (see: “The Khan Fire,” Alexander Pushkin, Batum, etc). As St. Nicholas is venerated as a patron saint of sea travelers, it is not surprising that in Bulgakov’s works the connotations revealed are supplemented by water motifs — with water appearing in various aggregate states (in the form of snow, for example).

PDF
Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Copyright (c) 2022 Slavica Revalensia